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Sight & Sound Critic's Poll, 1952-2002

Every ten years, the British film magazine Sight & Sound conducts a worldwide poll of film critics to determine what, in their opinion, are the ten best films ever made. This poll has been conducted since 1952 and is a great barometer of the cinematic tastes of the international critical community. For in-depth information on the 2002 poll, visit the Sight & Sound 2002 Critic's Poll page. For a look at the other five polls, go to Jeem's Cinepad.

Here's the part where I'm a nerd. I wanted to find a way to take all of the films from all of the polls (there are 32 of them) and rank them in order of stature. To do this, I devised a scoring system that awarded points based on the film's ranking a poll: 1st place is worth ten points, 2nd place is worth 9, etc. If you add up all of the points for all of the polls a film appeared in, you get a cumulative score for that film.

I then realized that the competition in later polls is much stiffer. Since new films are being released all the time, there are more films to compete with as time goes by. (12 of the 32 films did not even exist in 1952, when the first poll was taken.) To account for this, I added a weighting factor that awarded 5% more points to a film for each sucessive poll. For example, the 1952 winner recieved 10 points, the 1962 winner recieved 10.5 points, etc. I then re-scored and re-ranked the films based on this weighting. (The weighting turned out to have very little impact on the top and bottom of the list. Its main effect was to reorder the middle and break some ties.) You'll find the complete list of ranked films (with their scores) in the table below.

The most common question regarding this endeavour is, of course, "Who cares?", but I don't pretend to be able to answer that one.

Weighted
Rank
Film 1952
Rank
1962
Rank
1972
Rank
1982
Rank
1992
Rank
2002
Rank
Weighted
Score
Unweighted
Score
Unweighted
Rank
1 Citizen Kane, Orson Welles, 1941 US   1 1 1 1 1 57.50 50 1
2 The Rules of the Game Jean Renoir, 1939 FR 10 3 2 2 2 3 50.45 44 2
3 Battleship Potemkin Sergei Eisenstein, 1925 USSR 4 6 3 6 6 7 37.80 34 3
4 Vertigo Alfred Hitchcock, 1958 US       7 4 2 24.25 20 4
5 L'Avventura Michelangelo Antonioni, 1960 IT   2 5 7     20.65 19 5
6 Tokyo Story, Yasujiro Ozu, 1953 JP         3 5 17.10 14 7
6 8 1/2 Federico Fellini, 1963 IT     4 5   9 17.10 15 6
7 The Bicycle Thief Vittorio De Sica, 1949 IT 1 6         15.25 15 6
8 The Passion of Joan of Arc Carl Theodor Dreyer, 1928 FR 7   7   6   14.40 13 8
9 Greed Erich von Stroheim, 1924 US 7 4         11.35 11 9
10 Singin' in the Rain Stanley Donen & Gene Kelly, 1952 US       3   10 10.45 9 10
11 Seven Samurai Akira Kurosawa, 1954 JP       3     9.20 8 11
12 City Lights Charles Chaplin, 1930 US 2           9.00 9 10
12 The Gold Rush Charles Chaplin, 1925 US 2           9.00 9 10
13 The Godfather Part I & II Francis Ford Coppola, 1972/74 US           4 8.75 7 12
14 Ugetsu Monogatari Kenji Mizoguchi, 1953 JP   4 10       8.45 8 11
15 The Searchers John Ford, 1956 US       10 5   8.35 7 12
16 2001: A Space Odyssey Stanley Kubrick, 1968 UK         10 6 7.45 6 13
17 L'Atalante Jean Vigo, 1934 FR   10     6   7.05 6 13
18 The Magnificent Ambersons Orson Welles, 1942 US     9 7     6.80 6 13
19 Persona Ingmar Bergman, 1967 SW     5       6.60 6 13
20 Intolerance DW Griffith, 1916 US 5           6.00 6 13
20 Louisiana Story Robert Flaherty, 1947 US 5           6.00 6 13
20 Pather Panchali Satyajit Ray, 1955 IN         6   6.00 5 14
21 Ivan the Terrible Sergei Eisenstein, 1943-46 USSR   6         5.25 5 14
22 Sunrise F.W. Murnau, Germany, 1927 US           7 5.00 4 15
23 The General Buster Keaton & Clyde Bruckman, 1927 US     8 10     4.45 4 15
24 Le Jour se leve Marcel Carne, 1939 FR 7           4.00 4 15
25 La terra trema Luchino Visconti, 1948 IT   9         2.10 2 16
26 Wild Strawberries Ingmar Bergman, 1957 SW     10       1.10 1 17
27 Brief Encounter David Lean, 1945 UK 10           1.00 1 17
27 Le Million Rene Clair, 1930 FR 10           1.00 1 17